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The Content Designer will transform strong observations and clear directions into high-quality visual assets, including posters, carousels, and essay layouts. Additionally, the role involves managing the publishing calendar, monitoring performance metrics, and maintaining an organized library of creative assets.
Intelligent Investing is not building a social media account. We are building an institution that documents the reality of capital allocation. Our content is closer to a publication than a feed — calm, precise, and made to be respected years from now, not to win the afternoon.
We have more ideas than we have hands to make them. That is the job. You will take a strong observation and a clear direction, and turn it into finished work - a lot of it, at a high standard - under the guidance of our senior designer.
This is a craft role. You make things. You make them well, and you make them often.
What you’ll make
Most of our output is built from a few strong anchors, expressed many ways. One observation becomes the poster, the carousel, the Signal, the essay layout. One idea, multiple expressions — never the reverse.
Day to day, that means:
Volume is real here — but it rises by adding lighter pieces, never by thinning the important ones.
Publish and listen
You also own how the work goes out, and you keep an ear on how it lands.
This is publishing and listening, not performing. Replying in our voice, engaging publicly, and speaking for the brand stay with the team above you — reviewed, deliberate, never improvised in the comments.
The standard you’ll work to
The look follows the Michael Mann school: realism, competence, restraint. Real light, real materials, a cool and composed temperature. The work observes; it never performs. Status comes from what you leave out.
Two tests, every time:
And a short list of things we refuse, always: hype, urgency, meme energy, reaction-face editing, the golden “luxury” grade, the swelling score, anything that reads as an advertisement the moment you mute it. A serious idea delivered cheaply becomes a cheap idea. The form has to match the substance.
You won’t hold this bar alone — your senior designer reviews the work, and the ideas come from us. But you have to be able to feel the difference between calm-and-alive and calm-and-dead, and fix the second with specificity, not volume.
What this role is not
What you’ll bring
References that fit our world: Michael Mann, A24, Wieden+Kennedy, Apple, The Economist. If your instinct is “make it pop,” we’re probably not the fit. If your instinct is “make it undeniable and say less,” read on.
How to apply
Send your portfolio. With it, include one thing:
The single piece where you left the most out — and two or three sentences on what you removed, and why.
We read that first. It tells us more than a reel does.
Shortlisted candidates will be asked to complete a short, paid exercise: one observation, turned into finished work.
Benefits of working with us:
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